This image is composed of nine shots to create the scene. The mustang was lowered and stretched a little, while the tonal qualities of the car and meter were brought closer together. Originally the car was much brighter, while the meter was darker and less glossy.
There are tangents aplenty and a grid structure to give order and tie elements together. Something about the underlying grid makes a perfect day for a drive even more perfect, mathematically speaking.
Photography by Chris Wimpey
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